The Texas Boys’ Pimped Out Euro Pinch
Saturday, December 31st, 2011I would be doing you all a disservice by not posting this video.
Prepare to be blown away by the most amazing Euro Pinch Set-up ever designed, owned by the Texas White Boy Rapper, Paul “Up All Night” Knight and Certified Red Nail Bender and Horseshoe Bending Pioneer, Eric “The Pointed Goatee” Milfeld.
Now, if you are clueless as to what the heck is going on with this video, let me point a few things out.
In Grip, everything is weighed to precise measurements in order to calculate exactly how much is being weighed. So, we don’t just count 4-25′s as 100-lbs. In reality, each plate is most likely off by a few ounces, so we either take our plates to a post office or we calibrate a scale we own against another calibrated scale and we identify the exact weight of each plate.
For instance, if you saw all of my plates that are used in competitions here, you will see that each one of them has a number on it and it has the weight in pounds and ounces. So, a certain 25-lb plate might be marked with the number 17 and have 24 – 14.4 on it. That means that this specific plate was identified as being weight number 17 and it weighs 24-lbs, 14.4-oz. I then log that into an Excel spreadsheet and am able to calculate exactly how much weight is being lifted on each attempt.
What Eric Milfeld and Paul Knight have done is they have modified the internal rubber inserts so that the base apparatus weighs exactly 38 kilos, so they are starting with a nice round number each time. If you are doing everything on paper, which some do, this can make it a lot easier to count everything up. Normally adding things up on paper is a giant pain in the ass, but Eric and Paul have also gone to the expense of purchasing calibrated lifting plates, so they are dealing with a series of nice round numbers, instead of having to add up 2 to 4 decimal places on a sheet of paper – AWESOME!
Why a fiberglass cross-bar you might ask? In the past everything from rulers to elastic cord to steel bars have been used for the corss-bar or stick. Each material has it’s own benefits and risks. For instance, we used a long metal ruler one year for our stick. Everything was awesome until John Mannino missed an attempt and got fired up about it and pushed down on the metal ruler and bent it.
In 2008, I traveled 8 hours to compete in a Grip Contest and had the World Record weighton the apparatus. Thee “stick” cross-bar being used was made of either steel or possible lead or some other extremely heavy material. Also, Dave “The Genius” Memont failed to secure the front loading collar like a man. He must have hands like a bitch, because he did not compete in the contest. You are only a cool promoter if you promote and lift in the contest. The result of the loose front collar and the ultra-heavy cross-bar was that the weights ended up falling off on my World Record attempt and my lift was disqualified.
One of many times it just wasn’t “meant to be.”
By using the fiberlass cross-bar, Mannino can press down on it as hard as he wants to and it appears it will retain its natural shape. Also, it looks to be so light that it will not interfere in the pull-to-height or angle of the loading pipe.
Many other things are intriguing about the Texas Fella’s Euro Set-up. They are using a solid steel loading bar. It will be interesting to see how numbers are affected by using an implement with such a heavy loading bar. Will it make tilting easier or more difficult? Will the length play a factor? Will plates loaded on the bar take up so much acreage that only a nub of it will be jutting out from the plates? It will be interesting to see, as well, how the size of the plates being used affect tilt as well.
In the end, without a doubt this is definitely the most Pimped out Euro-Pinch in existence. Paul and Eric truly love the sport to invest that much money into it. Eleiko calibrated plates are not cheap, no matter where you buy them, and the rest of the set-up right down to the collars and the bull-nose shaping of the stainless steel loading bar were all appreciable expenses tambien.
My hat is off to these two for being a good example of taking pride in the sport of Grip, as well as showmanship and playing to the power of social media by cutting up a classic like this for all to see and share.
I do think Paul’s little raps could have been better if done with a fat lip of Copenhagen, and with Eric Milfeld scratching a record or doing beat-box off to the side, perhaps next to the fern int he garage.
All the best in your training and Happy New Year to you!
Jedd
